Sigma
Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary
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Canon RF Nikon Z Sony E Fujifilm X Leica L Super Zoom aps-c 2025
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Image Stabilization
Weather Sealed
Autofocus
Breathing Correction
Full-time Manual Focus
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Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary Comparisons
Similar lenses to compareSame Mount
TAMRON Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs TAMRON 17-70mm f/2.8 Di III-A VC RXD f/2.8 · 17-70mm
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Canon Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Canon RF-S 15-70mm f/4 IS STM (Rumor) f/4 · 15-70mm
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Canon Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Canon RF 20-50mm f/4L IS USM PZ f/4 · 20-50mm
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Canon Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Canon RF 7-14mm f/2.8-3.5L Fisheye STM f/2.8 · 7-14mm
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Canon Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Canon RF 100-400mm f/5.6-8 IS USM f/5.6 · 100-400mm
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Other Mounts
Sigma Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Sigma 50-120mm f/2.8 DC OS | Contemporary f/2.8 · 50-120mm
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TAMRON Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Tamron 28-300mm f/4-7.1 Di III VC VXD f/4 · 28-300mm
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Sigma Sigma 16-300mm f/3.5-6.7 DC OS | Contemporary vs Sigma 20-200mm F3.5-6.3 DG C for L Mount Review f/3.5 · 20-200mm
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Pros & Cons
Pros
- 16-300mm range with an 18.8x APS-C zoom ratio
- OS2 stabilization rated up to 6 stops at the wide end
- Fast HLA autofocus for moving subjects
- 1:2 magnification at 70mm for creative close-ups
- Available for Canon RF, Sony E, Fujifilm X, L-Mount and Nikon Z
Cons
- f/3.5-6.7 aperture is limiting in low light and for strong blur
- Extending design is less compact at 300mm
- Heavier than shorter APS-C zooms
- Extreme wide and telephoto ends may rely on corrections
- Not a substitute for bright primes or dedicated telephoto lenses
